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Mary Joyce
was born in Limerick, Ireland, where she trained as a news
journalist, later working for the Evening Press in Dublin and the BBC
in London. She later spent 14 years in Zambia and South Africa, working
concurrently for radio, television and the Zambia Mail in Lusaka and
for the Rand Daily Mail in Johannesburg.
She has written five historical novels, but is now concentrating on
contemporary fiction.
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The House by the Shore |
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Carrigrua: the scene of Caroline Tremain's troubled Irish childhood thirty
years ago. A Georgian mansion, on the shore of Lough Derg, where the
motherless girl grew up in an atmosphere of half-forgotten memories and half
hidden secrets.
Sent back to England
under an unexplained could, Caroline has been haunted by Carrigrua all her
life. Now, returning as an adult, she is determined to resolve a
lifetime of suppressed questions.
But
when she stumbles into a sealed bedroom, Caroline is faced with even more
disturbing truths and an unnerving discovery. Who was Clemency Conroy,
whose bracelet lies discarded beneath the bed?
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Harlequin's Daughter |
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When journalist Brigit Flood sees Conor Byrne's paintings of his wife
Hannah, she simply can't get them out of her mind. After she meets Hannah in
person, at Conor's studio home on the coast of County Clare, she begins to
understand the tensions that made Conor's paintings so memorable. Hannah is
bitterly thin, clearly unstable, a thorn in the side of the local artistic
community Conor has formed.
Apart from
Conor, no one seems to want Brigit at Kilnaboy, despite her intention of
bringing Conor's work to a wider audience via a TV series. But, drawn to the
charismatic artist, Brigit is determined to make the most of the opportunity,
little knowing what a nest of vipers she is stumbling into, nor what poisons
they are capable of disgorging; not just from their own pasts, but from
Brigit's too.
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